Gwyn's Guitar
Mar 24, 2016
All My Tears
Aug 4, 2014
What is a Chord?
A chord is a combination of three or more notes. They are
built off a single note, called the root. A chord composed of three notes is called a triad, and it consists of the root, the third, and the fifth notes of its scale. Chords with four or more notes are called extended chords. The common chords, C, G, D, A, and E, are all major triads. (not major in the significant sense, major in the music theory sense)
A major triad is composed of the root, a major third and a perfect
fifth.
To find the major third, count up four half steps from the
root. The root can be any of the notes on the musical scale. To find the perfect fifth, count up seven half steps from
the root. For example, if your root note is a B, then your major third will be Eb. Your perfect fifth will be Gb. When you add these three together, you get your major triad.
There is also such a thing as a minor triad. It is created with the root, a minor third and a perfect
fifth. To find the minor third, count up three half steps from the
root. To find the perfect fifth, count up seven half steps from
the root, just like you did for the major triad. If your root is the note E, your minor triad will have G for its minor third and B for its perfect fifth.
The augmented triad and the diminished triad are also used. They are not super common, because you can work your way around them, but they are useful to know nevertheless since you may run into them sometime. The augmented triad is created with a major third and an
augmented fifth. The difference between an augmented fifth and a perfect fifth is that the former is raised one half step. To find the augmented fifth, simply find the perfect fifth of your root and add
a half step.
To find a major third, count up four half steps from the
root, as shown in the section on major triads.
The diminished triad is created with a minor third and a
diminished fifth. A diminished fifth has one less half step than a perfect fifth. To find the diminished fifth, find the perfect fifth and
subtract a half step.
To find a minor third, count up three half-steps from the
root as shown in the section on minor triads.
So here is your group of triads with the three notes that make them up:
MAJOR-Root, Major 3rd, Perfect 5th
MINOR-Root, Minor 3rd, Perfect 5th
AUGMENTED-Root, Major 3rd, Augmented 5th
DIMINISHED-Root, Minor 3rd, Diminished 5th
In our next post, I will discuss how you can use this information to find what chords make up a key and how to find what key you're playing in. This is not useless information, it has several practical applications.
Quiz: What is the Perfect 5th of a minor triad where Gb is the root note?
What is a Scale?
Some people dispense with learning the scales, often because
they already know so much music theory they don’t have to follow a set pattern.
They work around the chords they are using. For someone just beginning to learn
music theory, however (like I am), I needed a fixed formula, not only for
playing purposes, but so that I could understand the way that the notes work on
the neck of my guitar. Being familiar with the different types of scales and
understanding where and how to play them also helped me to understand how music
theory worked.
Scales are formed from one of the 12 notes, C C# D D# E F F#
G G# A A# or B and they come in several different forms. There are major
scales, melodic minor scales, blues scales, harmonic scales and pentatonic
scales. There are seven types of major scales: Ionian, Dorian, Phrygian,
Lydian, Mixolydian, Aeolian and Locrian. The two ‘major’ major scales are the
Ionian and Aeolian scales. I still don’t know enough about the other scales to
write about them yet. I am just going to focus on the few that I know in this
post. So I will discuss the Aeolian and Ionian scales, better known as the
natural minor and major scales. I will also discuss the harmonic minor scale.
The formula for the major scale is W W h W W W h, which stands
for whole step, whole step, half step, whole step, whole step, whole step, half
step. This means that if you’re trying to find what notes are in the C major
scale, then you will count up WWhWWWh up from the C note, which is your root
note. (also called a tonic) So the C major scale will have the notes C, D, E,
F, G, A, B and C in it.
From C to D is a whole step, D to E is a whole step, E to F
is a half step because there are no sharps in between, F to G is a whole step,
G to A is a whole step, A to B is a whole step and B to C is a half step.
Again, that is because there are no sharps in between.
The formula for finding the Natural Minor is W h WW h WW.
See if you can find what the notes are in the B natural minor scale. Post your
answer in the comment section to see if you are right! No Google-ing. If you
forget the order of the notes, it is , C C# D D# E F F# G G# A A# B and back to
C.
The harmonic minor is simply the natural minor with the
seventh note raised half a step. This gives it a slightly different sound which
may fit your solo or riff better than if it didn’t have it. If the natural
minor scale for the root note D is D, E, F, G, A, A#, C and D, then the
harmonica minor is D, E, F, G, A, A#, C and D#, because you raise that last
note by a half step.
The melodic minor is simply the natural minor with the
seventh and sixth notes raised half a step. So the melodic d minor scale would
be D, E, F, G, A, A#, C# and D#, because we raised the C and D notes to C# and
D#. Again, these are very slight changes to the general pattern, but sometimes
a slight change is necessary to make that scale fit better with your solo.
While I was looking at some scales, I also ran across the
technical terms uses to describe the seven notes of a scale. The first note
(the root) is called the tonic. The last note is also called a tonic. The
second note is called the supertonic. The third is called the mediant, fourth
is the subdominant, fifth note is the dominant, sixth is the submediant, the
seventh note is often called a leading tone, if it is located a half step below
the last note, which is the eighth note. It is called this because it tends to
‘want’ to transition into that eighth note. Your fourth note is also referred
to as the generic fifth, which you will come across later in my posts.
Quiz: What is the subdominant (generic fifth) on the C
melodic minor scale? Answer via comment.
More posts coming soon! If you have a question, let me know
and I’ll do my best to answer it.
Aug 3, 2014
The Movable Chords
The following diagram shows the 6 major movable chord shapes. Not every chord functions like a movable chord, which makes these unique and very handy. The practical implications of this method are really incredible. Once
you learn how to play these positions, you will be able to hit these
chord shapes anywhere on the neck of the guitar without having to learn a
bunch of individual shapes. This way you will be able to play fuller
chords in several different places on the neck depending on which of the
movable chord shapes you use. As you can see, the frets aren't marked, because these are not chords, they are positions. The fret they are played at determines what chord they will be.
In this diagram, you will probably recognize the top four shapes as your regular Em, E, A and Am chords. For demonstration purposes, they are labeled as A, E etc. but it is important for you to realize that they are different chords now that they've been barred. What chords do they become?
If you remember the music scale, you will know that the 12 notes on that scale are C C# D D# E F F# G G# A A# and B. So each of these chords are going to change in relation to that scale. When you bar the E at the first fret, it will become an F chord, F# at the second fret, G at the third fret and so on.
Same with the A position. When barred at the first fret, it will become an A#. When barred at the second fret it will become a B, a C at the third fret, C# at the fourth fret and so on.
The A minor chord will become an A#m at the first fret, a Bm at the second fret, a Cm at the third fret, etc.
The Em position will become an Fm when barred at the first fret, an F#m at the second fret, a Gm at the third fret, G#m at the fourth etc. etc.
You can always refer back to the music scale if you forget what the chord becomes, because as you move the chord, it moves with the music scale.
10,000 Reasons (Matt Redman)
Intro: F C G Am F G C
F C
F C
Bless the Lord, O my soul,
G Am
O my soul,
F C
G
Worship His holy name.
F
Am
Sing like never before,
F G Am
0 my soul.
F
G
C
I'll worship Your holy name.
Verse 1:
F
C G Am
The sun comes up, it's a new day dawning;
F C G
Am
It's time to sing Your song again.
F C
G Am
Whatever may pass, and whatever lies before me,
F C G C [to
Chorus]
Let me be singing when the even- ing comes.
Verse 2:
F
C G Am
You're rich in love, and You're slow to anger.
F
C G Am
Your name is great, and Your heart is kind.
F
C G
Am
For all Your goodness, I will keep on singing;
F2 C G C
[to Chorus]
Ten thousand reasons for my heart to find.
Verse 3:
F
C G Am
And on that day when my strength is failing,
F
C G Am
The end draws near, and my time has come;
F C G Am
Still my soul will sing Your praise unending:
F C
G C
[to Chorus]
Ten thousand years and then fore - - vermore!
Say Something (A Great Big World)
(INTRO) Em C G D x2
Em
C
G D
Say something, I'm giving up
on you.
Em
C
G D
I'll be the one, if you want
me to.
Em
C
G D
Anywhere, I would've
followed you.
Em
C
G D
Say something, I'm giving up
on you.
G
Bm
And I am feeling so small.
C
It was over my head
G D
I know nothing at all.
G Bm
And I will stumble and fall.
C
I'm still learning to love
G D
Just starting to crawl.
Em
C
G D
Say something,
I'm giving up on you.
Em
C
G D
I'm sorry that I
couldn't get to you.
Em
C G D
Anywhere, I would've
followed you.
Em
C G D
Say something,
I'm giving up on you.
G
Bm
And I will swallow my pride.
C
You're the one that I love
G D
And I'm saying goodbye.
Em
C
G D
Say something, I'm giving up
on you.
Em
C
G D
I'm sorry that I couldn't
get to you.
Em
C
G D
Anywhere, I would've
followed you.
Em
C G
Say something, I'm giving up
on you.
Remember When
This is one of my favorite songs!
Remember When
G Em C D
Remember when, I was young and so were you,
G Em C D
And time stood still, An' love was all we knew.
G Em C D
You were the first, So was I; We made love and then you
cried:
G
Remember when.
[G] [Em] [C] [D]
Remember when, We vowed the vows and walked the walk.
G Em C D
We gave our hearts, Made the start, an' it was hard.
G Em C D
We lived and learned, Life threw curves, There was joy an'
there was hurt:
G
Remember when.
Remember when. Old ones died and new were born.
And life was changed, Disassembled, rearranged.
We came together, Fell apart, And broke each other's hearts:
Remember when.
Remember when, The sound of little feet...
was the music, We danced to, Week to week.
Brought back the love, We found trust, Vowed we'd never give
it up:
Remember when.
Remember when, Thirty seemed so old.
Now, lookin' back, It's just a steppin' stone.
To where we are, Where we've been; Said we'd do it all
again:
Remember when.
Remember when, We said when we turned gray,
When the children, Grow up and move away
We won't be sad, We'll be glad For all the life we've had:
And we'll remember when.
Mighty to Save
Verse 1:
C G
Everyone needs compassion
Em
A Love that’s never failing
D C
Let mercy fall on me
G
Everyone needs forgiveness
Em7
The kindness of a savior
D C D
The hope of nations
Chorus:
G D
Savior, he can move the mountains
C G
My God is mighty to save
C D
He is mighty to save
G D
Forever, author of salvation
C G
He rose and conquered the grave
C D
Jesus conquered the grave
Verse 2:
G C
So take me as you find me
Em
All my fears abandoned
D C
And fill my life again
G C
I give my life to follow
Em
Everything I believe in
D C D
Now I surrender (I surrender)
(repeat chorus)
Bridge:
C G D
Shine your light and let the whole world see singing,
C G D
for the glory of the risen king, Jesus x2
You and Your Heart
Here are the chords to the song You and Your Heart, by Jack Johnson.
A G
Watch you when you say, what you are
D
And when you blame everyone, you broke again
A G
Watch you change the frame or watch you when you
D
Take your aim at the sum of everything
Chorus:
G
A
But you and your heart
D G
Shouldn't feel so far apart
G
A
You can choose what you take
D G
Why you gotta break and make it feel so hard?
A G
You lay there in the street like broken glass
D
Reflecting pieces of the sun, but you're not the flame
A G
You cut the people passing by because you know
D
What you don't like it's just so easy, it's just so easy
G A
But you and your heart
D G
Shouldn't feel so far apart
G A
You can choose what you take
D G
Why you gotta break and make it feel so hard?
(repeat chorus)
A
D
You draw so many lines in the sand
A
D
Lost the fingernails on your hands
A
D
How you're gonna scratch any backs?
A D
E
Better hope the tide will take our lines away
E
Take all our lines and
A D
A
D
Hope the tide will take our lines and
A D
A
D E
Hope the tide will take our lines away
A
Take all our lines away
Aug 2, 2014
All of Me by John Legend
[Verse 1]
Em
C
G
What would I do without your
smart mouth
D
Em
Drawing me in, and kicking
me out
C
G
D
Em
Got my head spinning, no
kidding, I cant pin you down
C
G
Whats going on in that
beautiful mind
D
Em
Im on your magical mystery
ride
C
G
D Am
And I'm so dizzy, don't know
what hit me, but I'll be alright
Pre-Chorus
Am
G
My heads under water
D
Am
But I'm breathing fine
G
D
You're crazy and I'm out of
my mind
[Chorus]
G
Cause all of me
Em
Loves all of you
Am
Love your curves and all
your edges
D
All your perfect
imperfections
G
Give your all to me
Em
Ill give my all to you
Am
You're my end and my
beginning
D
Even when I lose I'm winning
Em C G
Cause I give you all, all of
me
Em C G D
And you give me all, all of
you, oh
[Verse]
Em
C
G
How many times do I have to
tell you
D
Em
Even when you're crying
you’re beautiful too
C
G
D
Em
The world is beating you
down, I'm around through every move
C
G
You're my downfall, you're
my muse
D
Em
My worst distraction, my
rhythm and blues
C
G
D
Am
I cant stop singing, its
ringing, in my head for you
[Pre-chorus]
[Chorus]
[Bridge]
Am
G
Cards on the table
D
Am
Were both showing hearts
Am
G
D
Risking it all, though its
hard
[Chorus and then:]
Em C G
Cause I give you all, all of
me
Em C G D
And you give me all, all of
you, oh
The World of Chords
Country:
On the Road Again-Johnny Cash
Remember When-Alan Jackson
Christian:
Mighty to Save
10,000 Reasons
Pop/Rock:
You and Your Heart- Jack Johnson
All of Me-John Legend
Classic Rock:
Stairway to Heaven
Sweet Home Alabama
Folk/Bluegrass
Red River Valley
Ghost Riders
Wagon Wheel
CC Rider
Other:
Say Something-A Great Big World
On the Road Again-Johnny Cash
Remember When-Alan Jackson
Christian:
Mighty to Save
10,000 Reasons
Pop/Rock:
You and Your Heart- Jack Johnson
All of Me-John Legend
Classic Rock:
Stairway to Heaven
Sweet Home Alabama
Folk/Bluegrass
Red River Valley
Ghost Riders
Wagon Wheel
CC Rider
Other:
Say Something-A Great Big World
Rude by Magic (TABS)
For any of you interested in learning this new top hit by Magic, here is a link to tabs arranged by Hajun Lee, a great finger-style guitarist I stumbled across on YouTube while trying to learn the song. I was never crazy about the song, but it is so catchy and sounds great played finger-style! I picked it up fairly quickly. A big thank-you to Hajun Lee for making these tabs available for free; not everyone is that nice! I am sure Lee would appreciate a comment or like if you ever go to his YouTube page! If you have any questions of any kind concerning this song or anything else, just ask and I'll see if I can help. Tabs can be a bit confusing, especially in fingerstyle, but I have a few shortcuts and tips about this song that may (or may not) help. :)
https://www.dropbox.com/s/3tzsv9mkfu9me6p/Rude!.pdf
Note: I DO NOT own these tabs and I did not compose these tabs.
https://www.dropbox.com/s/3tzsv9mkfu9me6p/Rude!.pdf
Note: I DO NOT own these tabs and I did not compose these tabs.
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